ARCHIVES
BAM ARCHIVES ( 2015 - )
CONTEMPORARY CLASSIC
OVERTURE
MINDFUL DISRUPTION
THREADS, FOLDS & RABBIT HOLES
EXPLORING THE BAM COLLECTION
DNSPE 2024 PRINT SYMPOSIUM PRINT EXCHANGE
PANOPLY: 26 PAINTED LIVES
GIRLS WITH CAMERAS
RETRO URBAN PORTRAITS
A LITTLE TOO LITTLE, A LITTLE TOO MUCH
SWEET DREAMS TRANSIT TERRAIN YOUSSEF SHEROUBI FRAGMENTS & FABRICATIONS DELECTABLE GARDEN PEOPLE/PLACES/THINGS H X W X D
LEGENDS
ITWSSOP
STAR CHILDREN
RADIUS I
NO BORING ART
NEXUS
PAPIER SURFIN
WHY
LEBO
SALVADOR DALÍ
TIM HURSLEY
ECLECTIC
BODY [PARTS]
ALRIGHT
ROBYN HORN
JOHN KEECH
SHARED VISION
QUIET WORK
CYCLE
SILENT FOREST
CHAMPION TREES
ARBORETUM
JUDY CROOK 5
NURTURENATURE
LOCAL COLOR
EMBELLISH
KIFF SLEMMONS
VICINITY
DELITA MARTIN
CONTINUAL MYTH
SEAT ASSIGNMENT
AR NEIGHBORS
BELIEVE
GUY CHURCH
PURE LINE
HMONG TEXTILES
ACCALIA
SELAH
IT FIGURES
MINDFUL DISRUPTION
September 12 - November 20, 2024
Chantal Lesley was born and raised in the Rio Grande Valley. Being the daughter of immigrants from both Germany and Peru has caused her to feel stretched between four cultures and has led her to confront ideas that focus on identity and social and political issues in her work.
“My work is driven by a demand to be seen and understood while uncovering the layers of my identity as part of four different cultures: Peruvian, German, American, and Mexican. Being a part of multiple cultures has forced me to navigate the process of assimilating into each culture simultaneously, leading often to feelings of alienation. In response, I create tangible objects that explore my past experiences, allowing me to connect with and challenge viewers. I create a visual narrative that reflects the loss of ethnic roots and explores the isolation and confusion felt from multiple cultures, a metaphor for the in-betweendiscovering a mental space that I have constructed while delving into my personal and familial past. Self-portraiture allows a form of empowerment and relying on symbolism connects me with my audience in a universal way to challenge the viewer to consider their preconceptions of women of color. My work is a way to turn the colonial gaze upon itself and regain my power and agency.”